Créditos e licenças

The MIT License (MIT)

Copyright (c) 2015-present 650 Industries, Inc. (aka Expo)

Permission is hereby granted, free of charge, to any person obtaining a copy
of this software and associated documentation files (the "Software"), to deal
in the Software without restriction, including without limitation the rights
to use, copy, modify, merge, publish, distribute, sublicense, and/or sell
copies of the Software, and to permit persons to whom the Software is
furnished to do so, subject to the following conditions:

The above copyright notice and this permission notice shall be included in all
copies or substantial portions of the Software.

THE SOFTWARE IS PROVIDED "AS IS", WITHOUT WARRANTY OF ANY KIND, EXPRESS OR
IMPLIED, INCLUDING BUT NOT LIMITED TO THE WARRANTIES OF MERCHANTABILITY,
FITNESS FOR A PARTICULAR PURPOSE AND NONINFRINGEMENT. IN NO EVENT SHALL THE
AUTHORS OR COPYRIGHT HOLDERS BE LIABLE FOR ANY CLAIM, DAMAGES OR OTHER
LIABILITY, WHETHER IN AN ACTION OF CONTRACT, TORT OR OTHERWISE, ARISING FROM,
OUT OF OR IN CONNECTION WITH THE SOFTWARE OR THE USE OR OTHER DEALINGS IN THE
SOFTWARE.

Paternité - 2.0

Creative Commons n'est pas un cabinet d'avocats et ne fournit pas de services de conseil juridique. La distribution de la présente version de ce contrat ne crée aucune relation juridique entre les parties au contrat présenté ci-après et Creative Commons. Creative Commons fournit cette offre de contrat-type en l'état, à seule fin d'information. Creative Commons ne saurait être tenu responsable des éventuels préjudices résultant du contenu ou de l'utilisation de ce contrat.

Contrat

L'Oeuvre (telle que définie ci-dessous) est mise à disposition selon les termes du présent contrat appelé Contrat Public Creative Commons (dénommé ici « CPCC » ou « Contrat »). L'Oeuvre est protégée par le droit de la propriété littéraire et artistique (droit d'auteur, droits voisins, droits des producteurs de bases de données) ou toute autre loi applicable. Toute utilisation de l'Oeuvre autrement qu'explicitement autorisée selon ce Contrat ou le droit applicable est interdite.

L'exercice sur l'Oeuvre de tout droit proposé par le présent contrat vaut acceptation de celui-ci. Selon les termes et les obligations du présent contrat, la partie Offrante propose à la partie Acceptante l'exercice de certains droits présentés ci-après, et l'Acceptant en approuve les termes et conditions d'utilisation.

1. Définitions

a.   « Oeuvre »  : oeuvre de l'esprit protégeable par le droit de la propriété littéraire et artistique ou toute loi applicable et qui est mise à disposition selon les termes du présent Contrat.

b.   « Oeuvre dite Collective »  : une oeuvre dans laquelle l'oeuvre, dans sa forme intégrale et non modifiée, est assemblée en un ensemble collectif avec d'autres contributions qui constituent en elles-mêmes des oeuvres séparées et indépendantes. Constituent notamment des Oeuvres dites Collectives les publications périodiques, les anthologies ou les encyclopédies. Aux termes de la présente autorisation, une oeuvre qui constitue une Oeuvre dite Collective ne sera pas considérée comme une Oeuvre dite Dérivée (telle que définie ci-après).

c.   « Oeuvre dite Dérivée »  : une oeuvre créée soit à partir de l'Oeuvre seule, soit à partir de l'Oeuvre et d'autres oeuvres préexistantes. Constituent notamment des Oeuvres dites Dérivées les traductions, les arrangements musicaux, les adaptations théâtrales, littéraires ou cinématographiques, les enregistrements sonores, les reproductions par un art ou un procédé quelconque, les résumés, ou toute autre forme sous laquelle l'Oeuvre puisse être remaniée, modifiée, transformée ou adaptée, à l'exception d'une oeuvre qui constitue une Oeuvre dite Collective. Une Oeuvre dite Collective ne sera pas considérée comme une Oeuvre dite Dérivée aux termes du présent Contrat. Dans le cas où l'Oeuvre serait une composition musicale ou un enregistrement sonore, la synchronisation de l'oeuvre avec une image animée sera considérée comme une Oeuvre dite Dérivée pour les propos de ce Contrat.

d.   « Auteur original »  : la ou les personnes physiques qui ont créé l'Oeuvre.

e.   « Offrant »  : la ou les personne(s) physique(s) ou morale(s) qui proposent la mise à disposition de l'Oeuvre selon les termes du présent Contrat.

f.   « Acceptant »  : la personne physique ou morale qui accepte le présent contrat et exerce des droits sans en avoir violé les termes au préalable ou qui a reçu l'autorisation expresse de l'Offrant d'exercer des droits dans le cadre du présent contrat malgré une précédente violation de ce contrat.

2. Exceptions aux droits exclusifs.  Aucune disposition de ce contrat n'a pour intention de réduire, limiter ou restreindre les prérogatives issues des exceptions aux droits, de l'épuisement des droits ou d'autres limitations aux droits exclusifs des ayants droit selon le droit de la propriété littéraire et artistique ou les autres lois applicables.

3. Autorisation.  Soumis aux termes et conditions définis dans cette autorisation, et ceci pendant toute la durée de protection de l'Oeuvre par le droit de la propriété littéraire et artistique ou le droit applicable, l'Offrant accorde à l'Acceptant l'autorisation mondiale d'exercer à titre gratuit et non exclusif les droits suivants :

a.  reproduire l'Oeuvre, incorporer l'Oeuvre dans une ou plusieurs Oeuvres dites Collectives et reproduire l'Oeuvre telle qu'incorporée dans lesdites Oeuvres dites Collectives;

b. créer et reproduire des Oeuvres dites Dérivées;

c.  distribuer des exemplaires ou enregistrements, présenter, représenter ou communiquer l'Oeuvre au public par tout procédé technique, y compris incorporée dans des Oeuvres Collectives;

d.  distribuer des exemplaires ou phonogrammes, présenter, représenter ou communiquer au public des Oeuvres dites Dérivées par tout procédé technique;

e.  lorsque l'Oeuvre est une base de données, extraire et réutiliser des parties substantielles de l'Oeuvre.

Les droits mentionnés ci-dessus peuvent être exercés sur tous les supports, médias, procédés techniques et formats. Les droits ci-dessus incluent le droit d'effectuer les modifications nécessaires techniquement à l'exercice des droits dans d'autres formats et procédés techniques. L'exercice de tous les droits qui ne sont pas expressément autorisés par l'Offrant ou dont il n'aurait pas la gestion demeure réservé, notamment les mécanismes de gestion collective obligatoire applicables décrits à l'article 4(c).

4. Restrictions.  L'autorisation accordée par l'article 3 est expressément assujettie et limitée par le respect des restrictions suivantes :

a.  L'Acceptant peut reproduire, distribuer, représenter ou communiquer au public l'Oeuvre y compris par voie numérique uniquement selon les termes de ce Contrat. L'Acceptant doit inclure une copie ou l'adresse Internet (Identifiant Uniforme de Ressource) du présent Contrat à toute reproduction ou enregistrement de l'Oeuvre que l'Acceptant distribue, représente ou communique au public y compris par voie numérique. L'Acceptant ne peut pas offrir ou imposer de conditions d'utilisation de l'Oeuvre qui altèrent ou restreignent les termes du présent Contrat ou l'exercice des droits qui y sont accordés au bénéficiaire. L'Acceptant ne peut pas céder de droits sur l'Oeuvre. L'Acceptant doit conserver intactes toutes les informations qui renvoient à ce Contrat et à l'exonération de responsabilité. L'Acceptant ne peut pas reproduire, distribuer, représenter ou communiquer au public l'Oeuvre, y compris par voie numérique, en utilisant une mesure technique de contrôle d'accès ou de contrôle d'utilisation qui serait contradictoire avec les termes de cet Accord contractuel. Les mentions ci-dessus s'appliquent à l'Oeuvre telle qu'incorporée dans une Oeuvre dite Collective, mais, en dehors de l'Oeuvre en elle-même, ne soumettent pas l'Oeuvre dite Collective, aux termes du présent Contrat. Si l'Acceptant crée une Oeuvre dite Collective, à la demande de tout Offrant, il devra, dans la mesure du possible, retirer de l'Oeuvre dite Collective toute référence au dit Offrant, comme demandé. Si l'Acceptant crée une Oeuvre dite Collective, à la demande de tout Auteur, il devra, dans la mesure du possible, retirer de l'Oeuvre dite Collective toute référence au dit Auteur, comme demandé. Si l'Acceptant crée une Oeuvre dite Dérivée, à la demande de tout Offrant, il devra, dans la mesure du possible, retirer de l'Oeuvre dite Dérivée toute référence au dit Offrant, comme demandé. Si l'Acceptant crée une Oeuvre dite Dérivée, à la demande de tout Auteur, il devra, dans la mesure du possible, retirer de l'Oeuvre dite Dérivée toute référence au dit Auteur, comme demandé.

b.  Si l'Acceptant reproduit, distribue, représente ou communique au public, y compris par voie numérique, l'Oeuvre ou toute Oeuvre dite Dérivée ou toute Oeuvre dite Collective, il doit conserver intactes toutes les informations sur le régime des droits et en attribuer la paternité à l'Auteur Original, de manière raisonnable au regard au médium ou au moyen utilisé. Il doit communiquer le nom de l'Auteur Original ou son éventuel pseudonyme s'il est indiqué ; le titre de l'Oeuvre Originale s'il est indiqué ; dans la mesure du possible, l'adresse Internet ou Identifiant Uniforme de Ressource (URI), s'il existe, spécifié par l'Offrant comme associé à l'Oeuvre, à moins que cette adresse ne renvoie pas aux informations légales (paternité et conditions d'utilisation de l'Oeuvre). Dans le cas d'une Oeuvre dite Dérivée, il doit indiquer les éléments identifiant l'utilisation l'Oeuvre dans l'Oeuvre dite Dérivée par exemple « Traduction anglaise de l'Oeuvre par l'Auteur Original » ou « Scénario basé sur l'Oeuvre par l'Auteur Original ». Ces obligations d'attribution de paternité doivent être exécutées de manière raisonnable. Cependant, dans le cas d'une Oeuvre dite Dérivée ou d'une Oeuvre dite Collective, ces informations doivent, au minimum, apparaître à la place et de manière aussi visible que celles à laquelle apparaissent les informations de même nature.

c.  Dans le cas où une utilisation de l'Oeuvre serait soumise à un régime légal de gestion collective obligatoire, l'Offrant se réserve le droit exclusif de collecter ces redevances par l'intermédiaire de la société de perception et de répartition des droits compétente. Sont notamment concernés la radiodiffusion et la communication dans un lieu public de phonogrammes publiés à des fins de commerce, certains cas de retransmission par câble et satellite, la copie privée d'Oeuvres fixées sur phonogrammes ou vidéogrammes, la reproduction par reprographie.

5. Garantie et exonération de responsabilité

a.  En mettant l'Oeuvre à la disposition du public selon les termes de ce Contrat, l'Offrant déclare de bonne foi qu'à sa connaissance et dans les limites d'une enquête raisonnable :

i.  L'Offrant a obtenu tous les droits sur l'Oeuvre nécessaires pour pouvoir autoriser l'exercice des droits accordés par le présent Contrat, et permettre la jouissance paisible et l'exercice licite de ces droits, ceci sans que l'Acceptant n'ait aucune obligation de verser de rémunération ou tout autre paiement ou droits, dans la limite des mécanismes de gestion collective obligatoire applicables décrits à l'article 4(e);

ii.  L'Oeuvre n'est constitutive ni d'une violation des droits de tiers, notamment du droit de la propriété littéraire et artistique, du droit des marques, du droit de l'information, du droit civil ou de tout autre droit, ni de diffamation, de violation de la vie privée ou de tout autre préjudice délictuel à l'égard de toute tierce partie.

b.  A l'exception des situations expressément mentionnées dans le présent Contrat ou dans un autre accord écrit, ou exigées par la loi applicable, l'Oeuvre est mise à disposition en l'état sans garantie d'aucune sorte, qu'elle soit expresse ou tacite, y compris à l'égard du contenu ou de l'exactitude de l'Oeuvre.

6. Limitation de responsabilité.  A l'exception des garanties d'ordre public imposées par la loi applicable et des réparations imposées par le régime de la responsabilité vis-à-vis d'un tiers en raison de la violation des garanties prévues par l'article 5 du présent contrat, l'Offrant ne sera en aucun cas tenu responsable vis-à-vis de l'Acceptant, sur la base d'aucune théorie légale ni en raison d'aucun préjudice direct, indirect, matériel ou moral, résultant de l'exécution du présent Contrat ou de l'utilisation de l'Oeuvre, y compris dans l'hypothèse où l'Offrant avait connaissance de la possible existence d'un tel préjudice.

7. Résiliation

a.  Tout manquement aux termes du contrat par l'Acceptant entraîne la résiliation automatique du Contrat et la fin des droits qui en découlent. Cependant, le contrat conserve ses effets envers les personnes physiques ou morales qui ont reçu de la part de l'Acceptant, en exécution du présent contrat, la mise à disposition d'Oeuvres dites Dérivées, ou d'Oeuvres dites Collectives, ceci tant qu'elles respectent pleinement leurs obligations. Les sections 1, 2, 5, 6 et 7 du contrat continuent à s'appliquer après la résiliation de celui-ci.

b.  Dans les limites indiquées ci-dessus, le présent Contrat s'applique pendant toute la durée de protection de l'Oeuvre selon le droit applicable. Néanmoins, l'Offrant se réserve à tout moment le droit d'exploiter l'Oeuvre sous des conditions contractuelles différentes, ou d'en cesser la diffusion; cependant, le recours à cette option ne doit pas conduire à retirer les effets du présent Contrat (ou de tout contrat qui a été ou doit être accordé selon les termes de ce Contrat), et ce Contrat continuera à s'appliquer dans tous ses effets jusqu'à ce que sa résiliation intervienne dans les conditions décrites ci-dessus.

8. Divers

a.  A chaque reproduction ou communication au public par voie numérique de l'Oeuvre ou d'une Oeuvre dite Collective par l'Acceptant, l'Offrant propose au bénéficiaire une offre de mise à disposition de l'Oeuvre dans des termes et conditions identiques à ceux accordés à la partie Acceptante dans le présent Contrat.

b.  A chaque reproduction ou communication au public par voie numérique d'une Oeuvre dite Dérivée par l'Acceptant, l'Offrant propose au bénéficiaire une offre de mise à disposition du bénéficiaire de l'Oeuvre originale dans des termes et conditions identiques à ceux accordés à la partie Acceptante dans le présent Contrat.

c.  La nullité ou l'inapplicabilité d'une quelconque disposition de ce Contrat au regard de la loi applicable n'affecte pas celle des autres dispositions qui resteront pleinement valides et applicables. Sans action additionnelle par les parties à cet accord, lesdites dispositions devront être interprétées dans la mesure minimum nécessaire à leur validité et leur applicabilité.

d.  Aucune limite, renonciation ou modification des termes ou dispositions du présent Contrat ne pourra être acceptée sans le consentement écrit et signé de la partie compétente.

e.  Ce Contrat constitue le seul accord entre les parties à propos de l'Oeuvre mise ici à disposition. Il n'existe aucun élément annexe, accord supplémentaire ou mandat portant sur cette Oeuvre en dehors des éléments mentionnés ici. L'Offrant ne sera tenu par aucune disposition supplémentaire qui pourrait apparaître dans une quelconque communication en provenance de l'Acceptant. Ce Contrat ne peut être modifié sans l'accord mutuel écrit de l'Offrant et de l'Acceptant.

f. Le droit applicable est le droit français.

Creative Commons n'est pas partie à ce Contrat et n'offre aucune forme de garantie relative à l'Oeuvre. Creative Commons décline toute responsabilité à l'égard de l'Acceptant ou de toute autre partie, quel que soit le fondement légal de cette responsabilité et quel que soit le préjudice subi, direct, indirect, matériel ou moral, qui surviendrait en rapport avec le présent Contrat. Cependant, si Creative Commons s'est expressément identifié comme Offrant pour mettre une Oeuvre à disposition selon les termes de ce Contrat, Creative Commons jouira de tous les droits et obligations d'un Offrant.

A l'exception des fins limitées à informer le public que l'Oeuvre est mise à disposition sous CPCC, aucune des parties n'utilisera la marque « Creative Commons » ou toute autre indication ou logo afférent sans le consentement préalable écrit de Creative Commons. Toute utilisation autorisée devra être effectuée en conformité avec les lignes directrices de Creative Commons à jour au moment de l'utilisation, telles qu'elles sont disponibles sur son site Internet ou sur simple demande.

Creative Commons peut être contacté à  https://creativecommons.org/  .

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       2. Exceptions and Limitations. For the avoidance of doubt, where
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       3. Term. The term of this Public License is specified in Section
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4. Limitations and Disclaimers.

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MIT License

Copyright (c) 2019 David Gouveia

Permission is hereby granted, free of charge, to any person obtaining a copy
of this software and associated documentation files (the "Software"), to deal
in the Software without restriction, including without limitation the rights
to use, copy, modify, merge, publish, distribute, sublicense, and/or sell
copies of the Software, and to permit persons to whom the Software is
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The above copyright notice and this permission notice shall be included in all
copies or substantial portions of the Software.

THE SOFTWARE IS PROVIDED "AS IS", WITHOUT WARRANTY OF ANY KIND, EXPRESS OR
IMPLIED, INCLUDING BUT NOT LIMITED TO THE WARRANTIES OF MERCHANTABILITY,
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OUT OF OR IN CONNECTION WITH THE SOFTWARE OR THE USE OR OTHER DEALINGS IN THE
SOFTWARE.

	

	Interface Sounds (1.0)

	Created/distributed by Kenney (www.kenney.nl)
	Creation date: 11-02-2020

			------------------------------

	License: (Creative Commons Zero, CC0)
	http://creativecommons.org/publicdomain/zero/1.0/

	This content is free to use in personal, educational and commercial projects.

	Support us by crediting Kenney or www.kenney.nl (this is not mandatory)

			------------------------------

	Donate:   http://support.kenney.nl
	Patreon:  http://patreon.com/kenney/

	Follow on Twitter for updates:
	http://twitter.com/KenneyNL

Copyright (C) 2009/2010/2011 Ulrich Apel.
This work is distributed under the conditions of the Creative Commons
Attribution-Share Alike 3.0 Licence. This means you are free:
* to Share - to copy, distribute and transmit the work
* to Remix - to adapt the work

Under the following conditions:
* Attribution. You must attribute the work by stating your use of KanjiVG in
  your own copyright header and linking to KanjiVG's website
  (http://kanjivg.tagaini.net)
* Share Alike. If you alter, transform, or build upon this work, you may
  distribute the resulting work only under the same or similar license to this
  one.

See http://creativecommons.org/licenses/by-sa/3.0/ for more details.

# Créditos e licenças / Credits and licenses

KanjiKaku usa os projetos abaixo. Os direitos dos dados pertencem aos respectivos autores; a assinatura cobre os recursos do aplicativo e não substitui as licenças dos dados. As adaptações mantêm as licenças indicadas para cada componente.

KanjiKaku uses the projects below. Data rights belong to their respective authors; the subscription covers app features and does not replace the data licenses. Adaptations retain the licenses specified for each component.

| Fonte / Source | Conteúdo / Content | Autoria / Attribution | Licença / License |
| --- | --- | --- | --- |
| [KANJIDIC2](https://www.edrdg.org/wiki/KANJIDIC_Project.html) | Significados, leituras e informações de kanji / Kanji meanings, readings and information | © James William Breen e / and Electronic Dictionary Research and Development Group (EDRDG), com seus colaboradores / with its contributors | [CC BY-SA 4.0](https://creativecommons.org/licenses/by-sa/4.0/); [declaração EDRDG / EDRDG statement](https://www.edrdg.org/edrdg/licence.html) |
| [KanjiVG](https://kanjivg.tagaini.net/) | Traços e ordem de kanji, hiragana e katakana / Kanji, hiragana and katakana stroke paths and order | © Ulrich Apel e colaboradores / and contributors; aviso original / original notice: Copyright (C) 2009/2010/2011 Ulrich Apel | [CC BY-SA 3.0](https://creativecommons.org/licenses/by-sa/3.0/) |
| [kanji-data](https://github.com/davidluzgouveia/kanji-data) | Conversão e organização de leituras, significados, frequência e níveis / Conversion and organization of readings, meanings, frequency and levels | David Luz Gouveia; aviso MIT / MIT notice: Copyright (c) 2019 David Gouveia | [MIT](https://github.com/davidluzgouveia/kanji-data/blob/master/LICENSE); direitos das fontes incorporadas preservados / underlying source rights retained |
| [Tanos JLPT](https://www.tanos.co.uk/jlpt/) | Classificação N5–N1 incorporada por kanji-data / N5–N1 classification incorporated through kanji-data | © Jonathan Waller | [CC BY, versão não especificada pela fonte / version not specified by the source](https://www.tanos.co.uk/jlpt/sharing/) |
| [JMdict](https://www.edrdg.org/wiki/JMdict-EDICT_Dictionary_Project.html) | Palavras, leituras e significados de vocabulário / Vocabulary words, readings and meanings | © James William Breen e / and EDRDG, com seus colaboradores / with its contributors | [CC BY-SA 4.0](https://creativecommons.org/licenses/by-sa/4.0/); [declaração EDRDG / EDRDG statement](https://www.edrdg.org/edrdg/licence.html) |
| [JmdictFurigana](https://github.com/Doublevil/JmdictFurigana) | Segmentos de furigana das palavras / Word furigana segments | Doublevil e colaboradores / and contributors | Dados / Data: [CC BY-SA 4.0](https://creativecommons.org/licenses/by-sa/4.0/), conforme a seção de licença dos dados / as specified in the data license section |
| [Tatoeba](https://tatoeba.org/) | Frases, traduções e transcrições / Sentences, translations and transcriptions | Colaboradores identificados por frase em `sentence-attribution.json` / Contributors identified per sentence in `sentence-attribution.json` | [CC BY 2.0 FR](https://creativecommons.org/licenses/by/2.0/fr/); [uso do corpus / corpus use](https://en.wiki.tatoeba.org/articles/show/using-the-tatoeba-corpus) |
| [Kenney Interface Sounds](https://kenney.nl/assets/interface-sounds) | Efeitos de interface / Interface sound effects | Kenney, Interface Sounds 1.0 (11-02-2020) | [CC0 1.0](https://creativecommons.org/publicdomain/zero/1.0/) |

## Uso e alterações / Use and changes

Os cinco JSON de kanji, cinco JSON de vocabulário e quatro WAV são cópias byte a byte do aplicativo anterior, commit `aeefa88603f7c6b3fbd29295d6767e4148044d03`. O catálogo seleciona 2.211 kanji; mantém os níveis N5→N1 e a ordem por frequência. Os campos de dicionário derivam de KANJIDIC2, diretamente ou via kanji-data; as listas JLPT vêm de Tanos e não constituem uma lista oficial de exame. A conversão para JSON, seleção, romanização e as 282 correções de significados portugueses em `pt-overrides.json` são adaptações do KanjiKaku. As adaptações de conteúdo KANJIDIC2 permanecem sob CC BY-SA 4.0; os traços no campo `svg` permanecem sob CC BY-SA 3.0.

The five kanji JSON files, five vocabulary JSON files and four WAV files are byte-for-byte copies of the previous app at commit `aeefa88603f7c6b3fbd29295d6767e4148044d03`. The catalog selects 2,211 kanji, retaining N5→N1 levels and frequency order. Dictionary fields derive from KANJIDIC2, directly or through kanji-data; JLPT lists come from Tanos and are not an official exam list. JSON conversion, selection, romanization and the 282 Portuguese meaning corrections in `pt-overrides.json` are KanjiKaku adaptations. KANJIDIC2 content adaptations remain under CC BY-SA 4.0; stroke paths in the `svg` field remain under CC BY-SA 3.0.

O vocabulário seleciona grafias, leituras e significados do JMdict. As traduções portuguesas próprias e os significados ingleses recuperados são adaptações sob CC BY-SA 4.0. O furigana das palavras deriva do recurso JmdictFurigana, versão `2.3.1+2026-07-25`, com conversão para segmentos JSON e fallback grafia/leitura quando necessário. A licença MIT do software gerador de JmdictFurigana não substitui a licença CC BY-SA dos dados.

Vocabulary selects JMdict spellings, readings and meanings. Original Portuguese translations and recovered English meanings are adaptations under CC BY-SA 4.0. Word furigana derives from the JmdictFurigana data release `2.3.1+2026-07-25`, converted to JSON segments with a spelling/reading fallback where necessary. The MIT license of the JmdictFurigana generator software does not replace the data's CC BY-SA license.

As 4.807 frases japonesas únicas têm identificação de origem, traduções e autoria disponível em `sentence-attribution.json`: 1.604 traduções portuguesas do Tatoeba e 3.203 traduções/adaptações portuguesas do KanjiKaku. Transcrições Hrkt foram convertidas em segmentos de furigana. O suplemento inglês usa 4.730 traduções do Tatoeba e 77 adaptações do KanjiKaku, com IDs também em `vocabulary-en-attribution.json`. Essas frases e adaptações permanecem sob CC BY 2.0 FR. As frases sem proprietário e transcrições sem autor no export são identificadas explicitamente; nenhum nome foi inferido. O japonês, português e furigana originais não foram alterados ao recuperar as atribuições.

The 4,807 unique Japanese sentences have source identifiers, translations and available authorship in `sentence-attribution.json`: 1,604 Portuguese Tatoeba translations and 3,203 Portuguese KanjiKaku translations/adaptations. Hrkt transcriptions were converted to furigana segments. The English supplement uses 4,730 Tatoeba translations and 77 KanjiKaku adaptations, with identifiers also in `vocabulary-en-attribution.json`. These sentences and adaptations remain under CC BY 2.0 FR. Sentences without owners and transcriptions without authors in the export are explicitly labeled; no names were inferred. Original Japanese, Portuguese and furigana content was not changed when attribution was recovered.

Os 46 hiragana e 46 katakana de `kana-strokes.json` derivam de [KanjiVG `55b5ba92a7cad78a62ef04db4be6f9562d949b7f`](https://github.com/KanjiVG/kanjivg/tree/55b5ba92a7cad78a62ef04db4be6f9562d949b7f/kanji). A extração remove estilo e metadados SVG, preservando coordenadas e ordem; nomes e hashes dos arquivos originais acompanham os dados. As adaptações permanecem sob CC BY-SA 3.0. O currículo básico e os textos de interface são do KanjiKaku. [JICC](https://www.us.emb-japan.go.jp/jicc/doc/Library/JICC_Hiragana%20Chart.pdf) e [Tofugu](https://www.tofugu.com/japanese/learn-katakana/) foram referências de leitura; nenhuma ilustração ou texto de lição desses guias está incluído.

The 46 hiragana and 46 katakana in `kana-strokes.json` derive from the linked KanjiVG revision. Extraction removes SVG styling and metadata while preserving coordinates and order; source filenames and hashes accompany the data. Adaptations remain under CC BY-SA 3.0. The basic curriculum and interface copy are maintained by KanjiKaku. JICC and Tofugu were reading references; no illustrations or lesson text from those guides are included.

Os sons Kenney foram selecionados, renomeados e convertidos de OGG para WAV: `confirmation_001` → `correct`, `error_004` → `wrong`, `confirmation_002` → `complete`, `click_002` → `flip`. Permanecem sob CC0. A leitura em voz alta usa a síntese de voz do iOS; não há gravações de voz do Tatoeba no bundle.

Kenney sounds were selected, renamed and converted from OGG to WAV using the mapping above. They remain under CC0. Reading playback uses iOS speech synthesis; no Tatoeba voice recordings are bundled.

## Avisos e reutilização / Notices and reuse

Os avisos originais e as licenças completas estão em `Resources/Legal`: `LICENSE-KANJI-DATA.txt`, `NOTICE-KANJIVG.txt`, `LICENSE-KENNEY.txt`, `LICENSE-APP.txt` e os arquivos `LICENSE-CC-*`. A licença MIT original do software permanece intacta, incluindo © 2015-present 650 Industries, Inc. (Expo). Ela não licencia todos os dados como MIT.

Original notices and full licenses are in `Resources/Legal`: the files named above and the `LICENSE-CC-*` files. The original software MIT license remains intact, including © 2015-present 650 Industries, Inc. (Expo). It does not license all data under MIT.

Os dados abertos e suas adaptações podem ser reutilizados conforme suas respectivas licenças, com crédito, indicação de alterações e compartilhamento pela mesma licença quando exigido. Os termos e a assinatura do aplicativo não restringem esses direitos. Os arquivos reunidos em um pacote de dados conservam as licenças separadas de seus componentes. Os autores das fontes não patrocinam nem endossam o KanjiKaku.

Open data and its adaptations may be reused under their respective licenses, with attribution, change notices and ShareAlike where required. App terms and subscriptions do not restrict these rights. Files collected in a data package retain their components' separate licenses. Source authors do not sponsor or endorse KanjiKaku.

Responsável pelo aplicativo e suas adaptações / App and adaptation maintainer: Ricardo Uemura — [uemurinhawork@gmail.com](mailto:uemurinhawork@gmail.com).